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Spiccato and Martele bowings


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One of the most wide ranging techniques on a bowed stringed instrument is what is commonly referred to as staccato. In essence, staccato is where the notes are short and spiky – this can be achieved in different ways. The Martele (pronounced mart -el-lay) bow stroke is where the bow is gently pressed to the string and released rapidly to create a little ‘kick’ or accent at the beginning of each note. It can be played rapidly or slowly and there is generally a small gap between each note. Whereas this would be rarely applied when hiring string players to perform on a pop or rock track, it could be used in a more classical sound – perhaps for a film soundtrack or television production.

The spiccato bow stroke is what is commonly referred to as ‘off the string bowing’ because the bow leaves the string at the end of each stroke. This gives the music a distinctive sound which can be used in a variety of different context as it’s so versatile. Spiccato bowing is great for rapid scales and will create a ‘brilliant’ effect (as in bright) or could be applied in a slower and heavier passage to add drama.

Adding variety with spiccato and martele bowings can accentuate the strings by using the whole section, or just one group of instruments (for example, only violas) and both are widely used ways of adding interest or energy when orchestrating for strings.

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3 Responses to “Spiccato and Martele bowings”

  1. [...] term that can apply to all instruments and therefore not a specific string instruction (like spiccato or sautille would be). In general terms, it is a stroke started with a fp (fortepiano) or sfz [...]

  2. [...] is a lively piece in 6/8 time which responded well to being treated with light spiccato bowing. The arrangement starts with the theme being stated in the first violin part, accompanied by [...]

  3. [...] a players point of view, both saltando and spiccato seem to give the impression – both visually and by the sound they make – of a vertical bouncing of [...]