StringSection Blog

April, 2010

Playing badly on purpose….

Thursday, April 15th, 2010

Yesterday I had an interesting job – a recording session at USP content studios  for solo violin.  The piece is to be used in a radio advertisement for a forthcoming novel. My brief was to compose a few bars of lovely ‘fairytale’ type music which would then become horribly discordant and eventually finish with a harsh screeching sound with the bow dragged across the violin!

The text of the radio commercial describes how the main character’s relationship, job and life in general go horribly wrong – and this is where my playing had to go horribly wrong as well! What was interesting to myself, the engineer, the client and the scriptwriter was how difficult it is to play badly when you’ve spent over 30 years trying to make the violin sound beautiful. After practicing various ways and means of producing a truly appalling sound, I can honestly say that I’ve now got rather good at it although hopefully it won’t creep into other aspects of my playing!

Thirteen Pieces for String Quartet by Ash Madni

Monday, April 12th, 2010

Last week, four of us entered the studio to record thirteen pieces written for String Quartet by the composer Ash Madni. The disc is to be released under the name ‘the Monzi Quartet’ and the players were myself and Judith Templeman on violins, with Adrian Smith on viola and Tony Woollard on ‘cello.

The pieces seemed to settle into three groups – the first were five movements entitled ‘Mystic Thoughts’, the second were three movements called ‘Sounds from the Bazaar’. Both of these were inspired by the composers Indian heritage and upbringing in Dubai. The third group were five miscellaneous pieces with titles such as ‘Human Enigma’ and ‘Confusion’.

The music was highly active in nature with a virtuosic quality that kept us all on our toes throughout the two full days of recording which took place at MBJ studios with the expert help of engineer Ben Jones (who we frequently work with). All the pieces employ many percussive pizzicato effects with trills and glissandi as well as a modal feel in places.

We wish Ash every success with the release of this disc and look forward to working with him again in the future.